![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
Three things worth taking a quick look at:
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-syndicated.gif)
365_tomorrows has a short and pleasant story on the possible consequences of a society which recognizes and legislates protection for the pre-pregnant.
Phil Foglio's Girl Genius: the 101 Class (early stories) have caught up to the Advanced Class (later stories), so you can now read the whole thing through--it's not *over*, but there are no gaps left. The first eighty pages are black and white; colour starts here and handily recaps the (engaging) situation in the first three pages. Comedy begins on the fourth.
Lea Hernandez's Texas Steampunk I: Cathedral Child is online here. It's an entirely different feel from what I usually think of as steampunk; more polished, more golden, adobe walls and open plains with a kind of slow dreaming machine intelligence.
365_tomorrows has a short and pleasant story on the possible consequences of a society which recognizes and legislates protection for the pre-pregnant.Phil Foglio's Girl Genius: the 101 Class (early stories) have caught up to the Advanced Class (later stories), so you can now read the whole thing through--it's not *over*, but there are no gaps left. The first eighty pages are black and white; colour starts here and handily recaps the (engaging) situation in the first three pages. Comedy begins on the fourth.
Lea Hernandez's Texas Steampunk I: Cathedral Child is online here. It's an entirely different feel from what I usually think of as steampunk; more polished, more golden, adobe walls and open plains with a kind of slow dreaming machine intelligence.
Tags:
no subject